Hannah Flowers is known for her gorgeous portraiture of nymphettes and goddesses. Heath Clifford and Grant Lubbock both concentrate on bold animal concepts, while Antony Flemming and Arielle Gagnon, though also both enthusiastic about animals, often infuse their pieces with ornamental details such as pearls, gems, crystals, lace, and metalwork. Though each of these tattoo artists work within the field of Neo-Traditional tattooing, they all bring to it a unique and distinct flavor to the style. There are also the stylings of Deborah Cherrys, Grant Lubbock, Arielle Gagnon, Sadee Glover, Chris Green and Mitchell Allenden. Though many modern tattooists have tried to master Neo–Traditional tattooing, none have been so successful as Antony Flemming, Miss Juliet, Jacob Wiman, Jen Tonic, Hannah Flowers, Vale Lovette, and Heath Clifford. Although Art Deco has not informed Neo-Traditional tattoos as much as Art Nouveau, much of the passion, flair, and fire of Neo-Trad is gleaned from this particular cultural movement.īoth of these styles lay a striking and eye-catching foundation for Neo-Traditionalism. Egyptian and African influences can be seen, in part due to the Jazz Age eruption that was greatly supported by the energy of younger generations still recovering from the depressions of World War I. Still often exotic in nature, it was more refined than Art Nouveau, which was still bathed in the excesses of Victorian culture. With slicker, more modernized, and less romanticized lines, Art Deco was the aesthetic of a new age. In fact, many Neo-Traditional tattoos replicate Mucha’s posters and advertisements either directly or in subtle detailing.Īrt Deco was the next movement that replaced Art Nouveau. However, Aubrey Beardsley and Alphonse Mucha are the most famed of the Art Nouveau artists. Perhaps the best examples of this amalgamation of art forms is in Whistlers ‘The Peacock Room’, finished in 1877, which is gilded and decorated with a wonderful sense of Asian elements. Beauty and refinement, graceful filigree-esque details, all wonderfully merged with portraits usually set against a background of lush florals and nature scenes. Not just confined to aspects of 2D visual art, the movement informed architecture, interior design, and more.
TEXT STYLES TATTOOS FULL
The obsession with Japanese aesthetics was in full swing, and one can see similar line work and color stories that are much like Ukiyo-e woodblock prints within Art Nouveau. The style was highly influenced by the Eastern artworks being exhibited in Europe at the time. In this guide, we examine the history, influences, and artists who call the Neo-Traditional method their own.Īrt Nouveau, most popular and in use during the years of 1890 to 1910, continues to inspire artists today, including Neo-Traditional tattooists. Perhaps the most extravagant aesthetic in tattooing, this particular style blends the techniques of American Traditional with a more modern and dimensional approach. History and Influences of Neo-Traditional Tattooingīrilliant and dramatic colors, often in tones that recall Victorian velvets, lush gems, or hues of autumn’s fallen leaves, merged with lavish details like pearls and fine lace – this is often what comes to mind when one thinks of the Neo-Traditional style.Antony Flemming, Miss Juliet, Jacob Wiman, Jen Tonic, Hannah Flowers, Vale Lovette, Heath Clifford, Deborah Cherrys, Sadee Glover and Chris Green are considered top of their field in the stylings of Neo-Traditional tattooing.Neo-Traditional tattoos are known for their dense and richly sumptuous aesthetic that often depict flowers, portraits of women, animals, and more.Motifs from Ukiyo-e Japanese prints, Art Nouveau, and Art Deco are all art movements that inform and influence Neo-Traditional tattoos.Although very different visually from American Traditional, Neo Traditional still uses the same basic and fundamental techniques, such as outlining in black ink.Explore the history, influences, and artists within the Neo-Traditional tattooing style.
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